Since Charlie passed his pee test, he decided to piss on Chuck!
Charlie Sheen's interview on RadarOnline.
CHUCK LORRE PRODUCTIONS, #330
He felt dead inside.
No matter how hard he partied, he could never escape that simple fact - inside, dead.
And that was his life.
Running from a feeling.
At least until he could run no more.
Exhausted, spent and beaten, when the end finally came, he welcomed it.
With life ebbing from his wasted body, he was suddenly swept up in a transcendent state of joy that was pure and complete.
Moments later he felt dead inside.
CHUCK LORRE PRODUCTIONS, #330
No matter how hard he partied, he could never escape that simple fact - inside, dead.
And that was his life.
Running from a feeling.
At least until he could run no more.
Exhausted, spent and beaten, when the end finally came, he welcomed it.
With life ebbing from his wasted body, he was suddenly swept up in a transcendent state of joy that was pure and complete.
Moments later he felt dead inside.
CHUCK LORRE PRODUCTIONS, #315
To Do List
Re-calibrate the line behind fiction and reality
Meditate using new mantra, "high ratings do not equate to high self-esteem"
Go to Al-Anon meeting
Stand in front of a mirror and practice saying "no comment"
Stand in front of a mirror and practice saying "as far as I know everything's terrific"
Write a country song entitled, "Hooker in the Closet." (Chorus: "There's a hooker in the closet, 'neath the monogrammed robes, don't know how she got there and I can't find my clothes. Officer Krupke, how are you tonight? I've misplaced my watch but I'm feeling alright.") Donate royalties to womens' shelter
Quit the business and teach creative writing at Cal State Bakersfield. Fresno?
Bite the hand that feeds you because you've had more than enough to eat
Hire a publicist to put a positive spin on this vanity card
Meditate using new mantra, "high ratings do not equate to high self-esteem"
Go to Al-Anon meeting
Stand in front of a mirror and practice saying "no comment"
Stand in front of a mirror and practice saying "as far as I know everything's terrific"
Write a country song entitled, "Hooker in the Closet." (Chorus: "There's a hooker in the closet, 'neath the monogrammed robes, don't know how she got there and I can't find my clothes. Officer Krupke, how are you tonight? I've misplaced my watch but I'm feeling alright.") Donate royalties to womens' shelter
Quit the business and teach creative writing at Cal State Bakersfield. Fresno?
Bite the hand that feeds you because you've had more than enough to eat
Hire a publicist to put a positive spin on this vanity card
CHUCK LORRE PRODUCTIONS, #207
Hey, Chuck, what do all those TV writing credits mean?
I'm glad you asked. The first credit you see on the screen is story editor. It's worth noting that story editors don't edit stories. Their main job is to exist in a constant state of paranoia about being fired because no one sees how brilliant they are. An executive story editor is a story editor with a cool-sounding word added to their title. In order to qualify as a story editor, one must have spent some time as a lowly staff writer. Interestingly, staff writer is the only writing credit that actually has the word "writer" in it. It is also the only credit that does not appear on the screen. I'm told that this curious lack of acknowledgement was devised by The Writers' Guild. The writing credit above story editor isco-producer. No aspect of the show is produced by the co-producer. Next up we have producer. Again, nothing about the show is produced by a producer, but if they aren't fired they're pretty much guaranteed becoming a supervising producer. One would think there'd be some supervision or producing at this level. One would be wrong. Climb the ladder another rung and you reach co-executive producer. This is usually a talented writer who has endured years of emotional punishment for creative input, an office with a window, infertility and/or premature baldness. Then there is the consulting producer. Consulting producers are usually former executive producers who are willing to work for less than their usual fee but don't want anyone to find out. Finally, at the top of the TV food chain, is theexecutive producer. The executive producer is either the creator/head writer who will die of a massive heart attack trying to supervise every aspect of production, a co-executive producer who was conned into dropping the "co" from their title in lieu of money, the star, the star's boyfriend, the star's manager, or a former network executive who fell ass backwards into a pot of gold.


















